Good Bad Things — 4 February (dir. Shane Stanger / VOD)
Genre: romance, comedy
What is remarkable: a young man with muscular dystrophy decides to try online dating, which leads him to an unexpected encounter and a journey towards self-acceptance.
September 5 — 4 February (dir. Tim Fehlbaum / VOD)
Genre: thriller, drama
What is remarkable: a look at the 1972 Olympic hostage-taking through the eyes of an American broadcaster.
All We Imagine as Light — 4 February (dir. Payal Kapadia / VOD)
Genre: drama
What is remarkable: the story of two neighbors from Mumbai, one of whom receives an unexpected gift from her husband, and the other seeks solitude with her boyfriend.
Jazzy — 7 February (dir. Morrisa Maltz / VOD)
Genre: drama
What is remarkable: due to the move of her best friend, the schoolgirl is simultaneously faced with the loss and emergence of her own independence.
Better Man — 11 February (dir. Michael Gracey / VOD)
Genre: musical, fantasy, biography
What is remarkable: the story of the ups and downs of the British pop icon Robbie Williams, as well as his thorny journey to fame.
The Witcher: Sirens of the Deep — 11 February (dir. Kang Hee-heol / Netflix)
Genre: animation, fantasy, action
What is remarkable: Geralt of Rivia investigates attacks in a coastal village and finds himself involved in an ancient conflict between humans and marine life.
Sly Lives — 13 February (dir. Questlove / Hulu)
Genre: documentary, music
What is remarkable: an exploration of pop musician Sly Stone's life, career, and legacy, revealing his cultural impact and the challenges black artists face on their way to success.
Bridget Jones: Mad About the Boy — 13 February (dir. Michael Morris / Peacock)
Genre: romance, comedy
What is remarkable: widowed Bridget Jones plunges back into the dating world, balancing between a young fan and her son's teacher.
Broken Rage — 13 February (dir. Takeshi Kitano / Prime Video)
Genre: comedy, crime
What is remarkable: two sketches from the life of a middle-aged assassin about his tense relationship with the yakuza and his comical relationship with the police.
The Gorge — 14 February (dir. Scott Derrickson / Apple TV+)
Genre: science fiction, action, romance
What is remarkable: two soldiers guarding different sides of a secret gorge discover that their mission to protect the world from a mysterious evil requires joining forces.
Rounding — 18 February (dir. Alex Thompson / VOD)
Genre: horror, thriller, detective
What is remarkable: a medical college student is transferred to a rural hospital, where he encounters a mysterious case and begins to lose touch with reality.
Grand Theft Hamlet — 21 February (dir. Sam Crane, Pinny Grylls / Mubi)
Genre: documentary
What is remarkable: during the pandemic, two bored actors decide to stage Shakespeare's play inside “Grand Theft Auto Online”.
The Brutalist — 25 February (dir. Brady Corbet / VOD)
Genre: drama
What is remarkable: after World War II, a Hungarian architect moves to the United States, where he falls into poverty, but suddenly he gets an order from a mysterious rich man.
